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Duelo cruz de luto3/10/2024 ![]() Quite a few of her reflections rang familiar, her raw and astute evocation of the oppressive and substantial nature of grief, the intensity and inescapability of it, the rancorous disbelief, the wry sense of injustice reminiscent of W.H. I read it in one sitting in the café of the local library. You learn how much grief is about language, the failure of language and the grasping for language.Īt the time of reading Chimamanda Ngozi Adichie’s short story Zikora, a friend pointed me to Notes on grief, the compact piece Adichie wrote at the death of her father. Maybe it is this yearning for words that prompts to read testimonies on loss and grieving from those one can rely on to be more eloquent, even if such is painful and unsettling – and even if such means the cold comfort of learning that the struggle to find words is a common experience: Grief can render one speechless, hopelessly at loss for words while thirsting for them to make sense of the experience and the emotions as well as to hold on to and honour the life of that unique human being so dearly loved which cruelly ended – always too soon, a life always too short. Grief because of the loss of a loved one can be an overwhelming experience – one of the few that perhaps rightly might be classified as universal, as an experience most of us will go through if we are so fortunate not to die that young ourselves that we will not have to mourn the loss of someone dear. ![]() In those moments, I am sure I do not ever want to face the world again. It feels as if I wake up only to sink and sink. Adichie divides her time between the United States and Nigeria. Her most recent book, Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions, was published in March 2017.Ī recipient of a MacArthur Foundation Fellowship, Ms. Her 2012 talk We Should All Be Feminists has a started a worldwide conversation about feminism, and was published as a book in 2014. Her 2009 TED Talk, The Danger of A Single Story, is now one of the most-viewed TED Talks of all time. Adichie has been invited to speak around the world. Adichie is also the author of the story collection The Thing Around Your Neck. ![]() She is the author of the novels Purple Hibiscus, which won the Commonwealth Writers’ Prize and the Hurston/Wright Legacy Award Half of a Yellow Sun, which won the Orange Prize and was a National Book Critics Circle Award Finalist and a New York Times Notable Book and Americanah, which won the National Book Critics Circle Award and was named one of The New York Times Top Ten Best Books of 2013. Henry Prize Stories, the Financial Times, and Zoetrope. Her work has been translated into over thirty languages and has appeared in various publications, including The New Yorker, Granta, The O. En el mismo formato que Todos deberíamos ser feministas, el lector lo atesorará y compartirá más que nunca.Ĭhimamanda Ngozi Adichie grew up in Nigeria. Y, sin embargo, resultará atemporal, duradero, y una adición indispensable al canon de la autora. ![]() Sobre el duelo es un libro imprescindible para estos momentos. En este emotivo y poderoso ensayo, que nace de un artículo publicado en The New Yorker, la autora nigeriana pone palabras al inenarrable grado de dolor causado por la repentina muerte de su padre en Nigeria: la crisis sanitaria por la pandemia de COVID-19 impidió que la autora pudiese salir de Estados Unidos para reunirse con su familia.Įn un intento por encontrar consuelo ante la sensación de vacío que la sacudió hasta la médula, Sobre el duelo es una breve pero inteligente y conmovedora crónica autobiográfica de las primeras etapas de la gestión de la pérdida, un revelador examen de la naturaleza del dolor, un tributo al padre que la llamaba «nwoke neli» («la que equivale a muchos hombres») y una profunda reflexión sobre la lengua y las tradiciones igbo.Įste libro se enmarca en la más rabiosa y dolorosa actualidad: la autora escribe desde la certeza de ser sólo una más de entre los millones de personas en duelo, sobre las dimensiones culturales y familiares del mismo y, también, sobre la soledad y la ira inherentes a él.
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